![]() ![]() ![]() Once again, the idea is to produce an authentic but affordable recreation this time, we have a remake of the Teletronix LA-2A, which is another of those characterful yet versatile processors that have proven enduringly popular. The WA-2A isn’t Warm Audio’s first homage to a Universal Audio compressor - we reviewed the FET-based WA76, a Rev D 1176 clone, back in SOS May 2014 ( ). However, once you achieve a threshold of similarity and quality, you have to ask yourself is the hardware version going to suit your workflow compared to a plug-in for a fraction of the cost? There are pro’s and con’s against both and each scenario requires different purpose.Warm Audio promise us an authentic recreation of the Teletronix LA-2A for a fraction of the price. I know these units can vary a lot due to age a valve condition, so it’s not an entirely fair comparison. By it’s self it was a great unit that deserves a place in most studios, but of course not entirely the same as the real deal. ![]() I haven’t heard their other microphone, the WA-87, but I have been fortunate enough to compare their WA2A compressor with an original. Thankfully Warm Audio are building a good reputation at succeeding both these concerns. This is great news, but of course the question now is how much will the WA-14 retail for, and how close will it really be to the original. According to the Warm Audio’s website, this is the model which they are attempting to clone with their own LK-12-B-60V capsule. The ultimate 414 is often regarded as the C414EB, with it’s brass CK-12 capsule. Any conversation around the 414 microphone, always turns to which model you are referring. As one of the most widely used large diaphragm condenser microphones, it has been around in various forms since the 70’s. Warm Audio WA-14 Large Diaphragm Condenser MicrophoneĪnyone who’s even visited a recording studio, as a musician, producer or engineer will undoubtably know of the AKG 414. ![]()
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